How's it going? Were you snowed in today? I was. The snow was super light and fluffy during the day. I wish I'd shoveled it up an hour earlier. My back is killing me. Hahahaha...
So it's been a few days since the last update, and I'd like to keep you guys in the loop about what I've been working on. Since quitting my job, I've dedicated to working on my projects full time, but if I don't release anything, it's all moot.
One of my goals this year has been to continue on "Butterfly Kisses." I mentioned in an earlier post that I had been working on episodes 2 through 8 of my web manga. The truth is, 8 months before I published episode 1, I had 11 chapters all written in the traditional format. The problem was that converting them to webtoon, would make that first arc end WAY too late. 1 traditional chapter was equal to 4 webtoon episodes. So that's why it was such a big deal for me in January to have found out what to cut to make the series not drag.
Lesson 1, I Learned
The original drafts were all thumbnails of layouts and characters, with a loose idea on words. It takes time to scan all that, and then reformat it. In the beginning, I think this is needed. You need to see your vision as close as possible. However, in the later stage, you get a feel. Or even, if you become a writer that has passed beyond the newbie stage, you learn what details to include.
In my mid-stage, after the setting and characters had been fully explored in the initial draft, I went through and wrote the entire scripts, word and description first. I used Microsoft word to just go through and write out all the dialogue and what each character was doing in each panel. Each new panel was a new paragraph. That was intuitive.
What I learned specifically to make me successful on Webtoon was to increase the font in the Word document to the size it would be in my web manga. Why? Because webtoon will take a max size of 1280 by 800 for an image (portrait mode). For full stories, you have to cut it down. Well, here's the thing, sometimes your panels may be way longer than that. That's fine. It's not fine when you're in an image creation software, like Clip Studio Paint, and have a 40,000 tall document. Performance goes down and I've had some issues with files saving. After I'm done with my script in Word, I export it as a PDF, then every page is a different file in Clip Studio Paint (I use the Story feature here). I stay true to the PDF as I'm taking the dialogue and copy and pasting into the Clip file. If I need to keep sequences together, that's fine. I just put a note on that blank page that I've moved it to the previous page and keep on going. I extend certain Clip files as I need more room for my panels. So some files in, let's say episode 2, are 2560 px long (my default) while others are over 8000 px. From my experience, I'd say to keep it below 9000, if possible.
Lesson 2, I learned
Since I'd written all of the script up, and thought I was happy, I was about to go and print all these pages off. I thought, "hey, I need to flip through and see what's happening. Sketch things out." I held off on that idea for money saving reasons. Now, I find out it was a great idea not to do that.
You see, your script will change if you learn something new, as I did. That would have been a waste of paper, and I would have had to reprint (because the changes were massive). If I did that for every episode, that would mean the original 96 pages I printed out were useless, and I'd have to print out another 100+ more. That's a lot of waste, even double sided. On a whim of laziness, I thought, "I can at least just copy the dialogue in and add in rectangles and squares. I can use the draft settings and put in rulers for keeping things even." So I did that. That was an easy yet effective use of my time. I then found I could put script directions in blue text under the draft folder (these would not show up in the final image as long as my output setting did not have "Draft" selected) and attached descriptions to each dialogue box. Some blocking issues arose, so I changed it in the Clip file. I found excessive adjectives in the dialogue and pulled them out. It turns out, I just needed each page in Word once to set up the rough layout in Clip. Printing out all that paper was just a waste of time, money, and resources. Digitally, I can make mistakes and just stretch the canvas or delete. You can't do that so easily with traditional media.
My first, manga series was called "The Legend of Auferre." I did that 90% traditionally. It had so many issues but I sake a whole bunch of time into it. I was so happy I published like 60 pages of it. It was a learning process, but I'm glad I evolved.
Going digital, it is so easy and time effective to modify and polish your work. These next few episodes are going to be of some of the highest level of storytelling I have ever done. The quality of content is going to really shine in this series.
Lesson 3, I learned
Now that the story has been thoroughly explored, the script vetted, the plot consistent, the vision is there, layout becomes easy.
It starts out just by drawing these panels on a single layer with squares and rectangles. You roughly place your dialogue text there (without the bubble at this point), you make sure the rectangles are the right size, or your resize them and/or the canvas. Make sure there is enough space between panels for pauses/quiet time.
How are you guys doing? Happy February the 13th! One of the best days of the month. Defiantly not the day after today. Anyways, this will be a chill post. Let's just talk.
It's good to be basically done with my short stories (that's the Chase Series). Man, about a year ago, I thought the hardest thing about writing, was writing enough words for it to be a story. Now, I think the hardest part of writing is having a proper character arc. Making characters sympathetic enough so that the readers will be interested. How you do that is all dependent on your ability to communicate. Which words you use. How you execute those lines. Even, knowing when to not explain. Just let the feelings come through. Here's a tricky thing: sometimes what your characters feel is designed to make your readers feel something else. So, for Lavender Chase, in one scene Alexander is upset, but what I wanted the readers to feel is curiosity. Why is he upset? That piece the heightens the book's ending at the end that ties all the clues from before into one package. At the end of the story, it just feels so satisfying instead of being lack luster.
And hopefully, my blogs are a bit better written. Writing is like drawing. It's a skill. Some people are born with the gift, and others, like myself, have to practice like heck to get better.
It also helps to read books that are about the context of your story. I've been reading "Worthy Fights" by Leon Panetta who was a US Secretary of Defense, CIA Director, and Congressman. Since the Chase series focuses so much on government and how the Department of Defense works, his insight was indispensable. For Azure Chase, I had a scene about a mission briefing. The first version was vague and generic, and even my editor hated me for it. After taking his information (combined with Phillip Mudd's book "The HEAD Game") this scene was utterly transformed. It was filled with context and detail. Instead of saying "The Guardian Knight sat with authority," I was able to convey those feelings instead.
Hope you guys had a great Saturday. I'm personally feeling very accomplished. I've uploaded a more fleshed out version of "Lavender Chase" today. This update delves more into the Guardian Knight's character (who is the equivalent to Secretary of Defense of the Quartz Region and a Muslim woman). This version even comes with a new cover.
Anyways, I feel like the story is as good as I can make it.
It is with great pleasure I introduce to you the second edition to my short story "Azure Chase." It has been completely redone with a different plot altogether. If you like stories where the monster/villain is the protagonist, you've got to get your hands on this right now. Also, in honor of this second edition, I'm giving away 5 copies of this book through Amazon (ebook/Kindle Store only). All you have to do is click a button to see if you get the prize or not. No extra work after that. So why not give it a try?
Even though Alexander decided not to replace all the humans with its parasites, simply coexisting with their constricting rules was not the life it wanted. It deserved more.
After waking up from a 13-year hibernation, the alien parasite known as Alexander looked in a mirror and observed its masterfully sculpted, newly transformed human host–it was perfect. Now, this incubus could blend in seamlessly within human society. Normal humans fell in love with it left and right, yet none offered the same wholesome relationship as its late, human daughter had. The truth was, she was well alive, but also its greatest threat. She is the Guardian Knight, leader of the Department of Defense, and her duty is to protect all residents of the Quartz region. Alexander is no exception, although it tries to become one. Its biggest hindrance to reconnecting with its daughter is its insatiable hunger for human DNA.
Will they be able to reconnect or will this tale end in betrayal and death? See how this short story ends by reading this book now.
I'm still working on mostly artwork for my characters, one of which is featured below (it's still just a WIP). However, I am devoting half my time to the full re-release of "Lavender Chase." That one should be coming up in a week or so.
As for the secret projects, they are not nearly close to completion for me to say anything about them yet. Stay tuned.
Just a quick couple of updates. Still working on the two secret projects. They are art intensive and it's taking me a while to create all that work. I've put a some of the WIP for the artwork on twitter but I've also put the tweets down here below.
Also, I've unpublished "Red Chase" for now as its quality is just not up to par with my standards, especially after turning it into a novel that goes into a lot of things. Don't worry, Red Chase will be re-released one day, perhaps this year.
Been working on a whole bunch of behind the scenes things this past week, however, today's update is going to mostly focus on the updated version of "Lavender Chase" I've released today.
It has some significant changes done to it with 3,000 words of exposition reduced and replace with two Chat-Tap stories. To those of you not familiar with those kind of stories, they look like a normal text conversation. Two new characters have been added to this story: Envoy Darius and Envoy Tracy, and in those conversations, you'll get to know exactly who they are quickly.
I've also re-written large swathes of text so that the story is a bit tighter, however, at the moment, I've run out of time to spend my focus on this now, so this is more of a soft launch to this updated story. I'll come back to finish re-writing it after Butterfly kisses is in order.
Certain sound effects, like the binaural beats of the Lavender Town music, can affect certain individuals susceptible to mental illnesses, such as depression. Some call this phenomena LTS – Lavender Town Syndrome. It would be a shame if an incubus lured you into an abandoned mental asylum at night just to exploit your mind’s weaknesses…
//// ------Synopsis------ ////
After 13 years of hibernation, the alien parasite known as Alexander has reawakened. The last time it was awake, it was hellbent on replacing every human being with a parasite to become them. Now, it seems like it’s ready to restart its sadistic, reign of terror with its newly transformed, beautifully sculpted and modified, human hosts (Alexander likes to call them an incubus or a succubus, for it sees itself very much like a demon). The alien decides to play a game with the human heroes: Save the woman in its grasp before it devours her alive! The Department of Defense’s leader, the Guardian Knight, wastes no time. She rushes into the abandoned mental health facility where Alexander is holding the civilian to rescue her. Meanwhile, the parasite watches her, smirking. “Oh, the fun I could have with my little hero.”
In this soft sci-fi/horror short story, author Roxioxx takes an uncommon approach by telling the tale from the incubus’s point of view. The two sides are so equally mysterious and matched, it’s impossible to predict who will come out on top—the incubus or the hero.
Find out what happens next by buying the book now.
//// ------Basic Story Info------ ////
Soft, Sci-Fi; Dark Fiction
Young Adult to Adult Fiction
Second edition released:
End of this Blog Post
Yep, that's how I'm gonna end it. Talk to you later,
Here's a preview of the entire set.
It is with great joy that I bring to you the second edition of my short story, “Pink Chase.” It has 50 percent more content (going from around 7,000 words to over 15,500 words, plus 3 more illustrations). After writing 9 short stories and 70,000 words for an unfinished novel, the story I present to you today is way more fleshed out and better written than anything before.
Here’s some promotional pictures for you from the short story.
If you’re interested in soft sci-fi and darker stories, "Pink Chase" might be just for you.
After years of hibernating, Alexander, an alien parasite that takes over and alters humans, is awake and walking around with its new host, Xana, a human transformed into a succubus. It wants to live and thrive, but the Department of Defense is out to eradicate it, especially the ever-principled Guardian Knight. This human is not to be underestimated since their predecessor destroyed it years ago. Thus, the alien decides to stalk the weakest member of the DoD, Fred.
Soft, Sci-Fi; Dark Fiction; elements of horror
Older Teen to Adult Fiction
For those of you following the blog or even my twitter (@RoxioxxStudios), you’ll notice I gave a heads up that the awesome $.99 deal for the story was there for a limited time. The price of this short story is now… a whopping… super reasonable… amount… of… $2 (It’s really not that bad). Yeah, getting a story reviewed by a professional editor a third time takes some money, but the investment is so worth it. Now you get a better quality story.
Well, I still have a number of things going on in the background. That includes writing up the entire arc for Butterfly Kisses, two secret projects, and the slow progress of “Red Chase.” However, “Lavender Chase” (another short story of mine) is getting a quick update. The same one I gave to “Pink Chase.” That might be coming up next, but we’ll see. Having 5 projects in the active column does mean I have less certainty when anything publishes.
That's all for now. Bye!